How To Draw A Cute Snowman

Larn to Draw Cartoons is a series of articles based on the Famous Artist Cartoon Course volume, now in public domain. This lesson artists are: Rube Goldberg, Milton Caniff, Al Capp , Harry Haenigsen Willard Mullin, Gurney Williams , Dick Cavalli , Whitney Darrow, Jr. Virgil Partch, Barney Tobey.

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When you meet a friend the first thing you await at is his face. You say, "You look fine" or "You wait sick" or "You look deplorable" or "You look happy." You recognize Joe or Bill or Mary past the eyes or olfactory organ or ears or pilus. The skillful Lord is an adept at put­ting people together and then y'all can identify them easily. Each of us has dissimilar features – even twins are not really identical – and, in addition, each of us has a definite and individual personality. Every bit an observer and recorder of the human race, you must have an awareness not simply of the surface differences betwixt people but also of what makes them tick. Jn general, you must become a psychologist. A skillful understanding of the emotional differ­ences between people will help you to create cartoon characters that will react properly to whatsoever set of circumstances and exit no doubtfulness in the reader's mind as to the blazon of people they are.

Drawing the balloon head

Before beginning to draw cartoon heads, yous must learn to draw the airship shape freely and quickly. Never use a compass. To form your balloon, swing the pencil around several times on the paper. The freely drawn balloon will be only a guide for the general shape of the head, so make it light – you can strengthen the outline afterwards. Practice cartoon balloons about the size shown here, because most of your work every bit a cartoonist volition call for heads this size or smaller. Later you have gotten the hang of drawing the balloons and can dash them off easily, you lot are fix to swing the two guide lines in. Sketch these lines as though they become completely effectually the balloon. This volition give the head a solid, three-dimensional quality and proceed you from drawing flat, pancake-type faces. And so start drawing in the eyes, olfactory organ, oral cavity and ears, following the principles demonstrated hither.

Angles

By combining the curved eye line with a curved center line, the head tin can be fatigued to face in any direction and at whatever angle you wish. Found these guide lines first and you should take footling trouble lo­cating the features properly no affair at which angle the head is tilted or turned.

Changing the shape of the balloon

If anybody had his or her hair shaved off, y'all would run across that in that location is every bit much variety in the human being caput equally in that location is in the top of a range of mountains. Human heads come in almost every shape, from a lima bean to a toy top – and then do cartoon heads. The round balloon head is but the offset.
Imagine that you are grasping a toy balloon in your hands. Now clasp it hard. The balloon changes its shape just information technology yet keeps its three dimensions. The same matter must exist true of the different-shaped cartoon heads you describe. Regardless of the class, your heart line must follow the curve of that form. If it does, you can place the features correctly in relation to the eye line and maintain the three-dimensional effect. Changing the shape of the basic balloon head is the cardinal to cre­ating many different drawing types. Every bit y'all see here, simply a couple of varied shapes can be the start of a whole cast of interesting characters – Milquetoasts and mugs, debutantes and dowagers, seadogs and swamis.

Varying the location of the features

While the eye line is commonly halfway between the top of the caput and the chin, interesting cartoon characters of many differ­ent types tin can be created by raising or lowering this line. Fifty-fifty with balloons of the same shape a shift in the middle line tin be the offset of a new graphic symbol. Continue in mind, however, that since the features are evenly balanced on each side of the center line, this line serves as a fixed guide for locating them.

Hair on the head and face up

In the simple cartoon caput, hair makes the head male or female. When it comes to hair, anything goes – from the last precious few of the about bald gent to the weird consequence of milady's latest visit to the dazzler parlor. Every successful cartoon character has its own distinctive hairdo. Hair is of import stuff.

Girls' heads

Girls' heads are constructed the aforementioned style as any others, just they will appear cuter and more glamorous if the center line is fatigued lower than halfway. Recollect to go along the outlines of the face smoothen and simple and give emphasis to pilus, eyes, and lips. Later in the Course, girls will be treated in greater detail. For now, this page will give you a good basic first. Girls add upwards to more than than half of the homo race. Learn to describe them well!

Facial expression

If a cartoon grapheme is to be animated and interesting to the reader, it must express exactly the right emotion. Later in the Form we will show yous how the whole fig­ure can be used to express emotions, but, for now, we are concerned with the caput and face. Joy, sorrow, anger, and other moods are shown chiefiy in the face and you should learn all you can almost how to depict them.
A adept way to begin is to report the faces of the people effectually you, and the different moods they express. Likewise, set upward a mirror and written report -your own features equally y'all regis­ter various emotions. See what happens to eyes, eyebrows, mouth corners, etc., and exercise drawing what you run into.
A good cartoonist doesn't just recollect of his character's expressions and emotions -he feels them. This is what gives his characters conviction. Watch even the most ex­perienced cartoonist at work and yous will note that when he draws an unusual expression on the face of a char­acter, his own face unconsciously assumes that expression.

Head gestures

Give the facial expression more punch and drama by cartoon the head in an attitude or gesture that matches the emotion expressed by the features. Once again, stand in front of a mirror and try out some of the bones expres­sions. Note how naturally the head takes a position that corresponds to the expression. When you laugh, the caput goes back. When you look down-hearted, it goes down. For most every facial expression there is a caput gesture. Practise these gestures and apply them in your work.

All cartoon characters are based on real people

All drawing heads, regardless of the style of cartoon, are based on existent people. To turn a real head into a cartoon head you must do ii things: (ane) Eliminate detail and (ii) exaggerate outstanding characteristics. This enables yous to express the feel­ings and personality of the character clearly and sharply. To show you what we mean, we had 4 cartoonists describe their interpretations of iii models. Their drawings, ranging from the realistic to the highly stylized, appear below. Note that each man has created a unique and individual cartoon while expressing the type and personality of the model.

Source: https://www.iamag.co/learn-to-draw-cartoons-the-comic-head-pt-1/

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